Art, Audio & Visual
This section collects the creative work that feeds the design work: restored digital paintings from the original portfolio, audio-reactive visualizers, short film projects, posters, and fake commercials.
Digital Painting Archive
The original portfolio had a wider digital painting set than the rebuilt Art & AV page was showing. This restores the missing pieces and gives each work the kind of title, caption, and atmosphere it deserves.
A double portrait that feels like arguing with your own reflection. The face is split between loose, ugly-pretty mark making and sharp little color interruptions, turning identity into something unstable, funny, and slightly hostile.
A memorial portrait that refuses to be clean. The blank field makes the figure feel stranded, while the mouth and eyes carry the whole emotional charge — tender, strange, and not fully at peace.
A small animal caught inside an overgrown electric world. The greens vibrate like static, making the cat feel both domestic and mythic — a familiar creature briefly becoming a shadow omen.
A dead-tech dreamscape where devices sag like soft clocks and the horizon looks guilty. It is part desert hallucination, part digital burnout — a little joke about how the objects that connect us also quietly rot.
A shrine built out of celebrity fragments, keyboards, stage light, and fan-memory overload. The composition treats pop culture like stained glass: glossy, devotional, overwhelming, and completely manufactured.
A kinetic tribute to dominance under pressure. The repeated figures make the court feel like a battlefield of attention, where movement, media, and myth all collide around the same unstoppable body.
A messy pop altar made from lips, outfits, props, and attitude. The white space keeps it deceptively light, but the fragments feel sharp — like a scrapbook assembled during a glamorous nervous breakdown.
A baroque little interior where every object seems to know something. The gold frame turns the collage into an artifact, while the cat presence pulls the whole room toward folklore, surveillance, and domestic chaos.
A compressed blast of horror, action, celebrity, and graphic noise. This is the more maximal side of the work: posters as mood boards, threat displays, and proof that visual clutter can still have rhythm.
TouchDesigner experiments that translate musical structure into reactive motion and color. The pieces are built around music I produced with a collaborator, with royalty-free vocal material used as source texture.
A dialogue-free short built around timing, frustration, and physical comedy: losing keys after a long day, then accidentally locking them in the car.
A fake infomercial for a space-saving invention, combining product parody, performance, and design presentation into a one-minute concept pitch.